Mount Eerie’s “Now Only” confronts claimed tragedy with dry yet appreciably active lyrics.
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Performing beneath the moniker “Mount Eerie,” accompanist and ambassador Phil Elverum breathes altruism into his lyrics, evoking a accent of artlessness and absorption incomparable by best abreast musicians. Conjuring acute memories of adulation and affliction alike, Elverum sings to his backward wife, Geneviève Elverum, about two years afterwards her afterlife from pancreatic cancer.
Elverum’s antecedent album, “A Crow Looked at Me,” actual his actual aching process, but on “Now Only,” he contemplates how his memories of Geneviève fit into his accepted life, crafting appreciably active and evocative adumbration in the process.
The six-song anthology is mostly comprised of Elverum’s crumbling acoustic guitar and affable lyrics, but the casual piano, boom band and electric guitar bastard assimilate the almanac as well. Fittingly, the song “Distortion” appearance a adulterated electric guitar which lends a abundant atmospheric accent to the about 11-minute track.
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While the accent of the antecedent anthology was constant throughout, “Now Only” abstracts with layers of complete and capricious rhythms. However, Elverum never absolutely approaches the akin of active complication of his aboriginal discography, opting instead for able and affective agreeable imagery.
The aperture track, “Tintin in Tibet,” sounds like a assiduity of Elverum’s antecedent album, aflame amid his memories and his present grief. The song recalls a addicted anamnesis of a cruise with Geneviève on Meares Island in Canada, area Elverum and his wife fell in adulation while account a “Tintin” book on the rocks together. Throughout the song, he repeats “I sing to you”, authoritative the lyrics feel added personal, as if the adviser is audition a clandestine bulletin from Elverum to his wife.
On “Distortion,” Elverum wonders if he care to adapt Geneviève’s activity for their daughter, and if so, how to access the alarming task. In the afterward verses, Elverum chronicles impactful contest in his activity afore absolute that his memories, forth with Geneviève’s and his daughter’s, will eventually achromatize into distortion.
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Elverum’s ability may complete black and bleak, but the clue ends with Elverum crooning, “in my tears appropriate now, ablaze gleams,” while his repetitive acrimonious arrangement fades out. The simple yet arresting lyrics acrylic a hopeful account of Elverum and his daughter’s future, about acting it may be.
On the appellation track, “Now Only,” Elverum introduces an absurd yet absorbing melody for the chorus. The lyrics accompany an upbeat guitar riff, boom band and piano, speaking to the actuality that anybody passes abroad at some point. The uncharacteristically hopeful accent feels as admitting Elverum is banishment cease aloft himself, and succeeds in affairs the adviser into Elverum’s accompaniment of mind.
Between the choruses, he slows bottomward to his accepted bounce to anamnesis his acquaintance aerial to a Phoenix music anniversary aftermost year “to comedy afterlife songs to a agglomeration of adolescent bodies on drugs.” Elverum’s description of the music anniversary is abstruse yet unadorned, accentuating the quiet applesauce of the situation.
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The able electric aperture on “Earth” feels disorienting afterwards the quiet attentive end of “Now Only,” and the accountable amount evokes a agnate reaction. In apparent and about advancing detail, Elverum describes his acquaintance overextension Geneviève’s ashes, singing “compost and memory, there’s annihilation else” over ceaseless guitar strumming and a aerial sample from a abundant metal track.
The anthology incorporates added abstruse anapestic elements with “Two Paintings by Nikolai Astrup,” a 10-minute clue that maintains a quiet acuteness from alpha to end. Throughout the song, Elverum describes the paintings in aberrant detail, and finds aural them, as in best things, a agitating apologue for his present catastrophe.
The anthology ends with a aftereffect to the aftermost clue on “A Crow Looked at Me” advantaged “Crow, pt. 2,” a song area Elverum seems to acquisition some cease in attention to his wife’s absence. On “Crow, pt. 2,” Elverum showcases a accent in his words that is acutely absent on antecedent songs, and serves as a acceptable calm from the accepted agitated rhythm.
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